These drawings form a collective of threads into a woven structure that is fractured, but still held together. I use tailor’s pencil, dressmaker’s chalk, and graphite on cotton rag paper, tools connected to garment making. Patterns of corporate shirts are both structure and subject. Drawn at the scale of bureaucracy: letters, contracts, policies; the works mirror systems they reference. Corporate shirting functions as a symbol of power dressing and institutional authority, but also of conformity, anonymity, and erasure. Lines tear, fade, and overlap, suggesting precarity, instability, and inherent violence. These drawings consider how capitalism shapes bodies, behavior, and visibility, and how the language of professionalism masks imbalance and imparts control. Shirting reflects on power as something worn, standardized, and increasingly fragile at a moment when democracy feels at risk.