In Shirting, corporate shirts become points of departure for meditating on class and hierarchies of labor embedded in what we wear. Forms cut from the shirts are transformed into dustpans, brooms, and other tools of cleaning and maintenance, bringing the uniform of authority into contact with the invisible labor that supports it. The works ask whose work is valued, and brings invisible labor from background to foreground. The negative shapes left by these cutouts register absence, the passage of time, even weaponry. The drawings are from close observation of shirt patterns, which are reconfigured into the language of abstraction. Tears and repairs expose the shirt as a material record of labor, wear, and endurance.